How do you paint in oils?-black and white wall decor

Black and white wall decor-When it comes to making program, we have to emphasize production program is for each artist himself first,Great Big Canvas desires and habits, the purpose of the method is concerned, it is not absolute, fixed rules, we can only on the basis of the traditional painting period is the most common and representative techniques to get a regular understanding and experience.
It is impossible for us to list all the techniques of the classical artists,Black And White Painting but we can only explain the common and substantial things in their techniques for your reference.
In particular, each artist has a lot of different characteristics in the production process. However, as the whole system of traditional classical oil painting, there is a general common point in the overall view. Therefore, it can only be briefly summarized as follows.
1. Start with a line
Starting form with line is a universal method adopted by painters in the initial stage of painting since ancient times.
Since the original painting, the use of line modeling has become an effective method for people to generalize complex forms, because line is the representation of body boundary, it can divide the area of different shapes, it can also show the relationship between different volumes, and more importantly,Contemporary Painting  it can obtain people’s perceptual and rational recognition on body recognition.
Therefore, no matter how complicated the final effect of oil painting is on the level and color level, the extraction and generalization of lines in the initial stage is of vital importance, which is reflected first in the setting of large composition, and second in the positioning and description of all parts of the body.
Therefore, the composition and the arrangement of large shapes must be basically established at this stage, and few changes are made in the latter stage. This is the rigorous expression of traditional oil paintings in the opening form, so the original opening form must be strict and thoughtful.
We can see from the sketches of the classical masters their generalization and expression of the form, more can see that their drawings are directly for the oil painting to open the form and serve, rather than exist as independent aesthetic value.
At that time, HAND MADE ACRYLIC PAINTING MINIMALIST ART,LARGE MODERN ART CIRCLE ON CANVAS,BLACK WHITE PAINTING  the sketch was mostly based on lines, and there were few tonal levels. Except for the interpenetration of edge lines to show the shape, it was to show the volume and light and shadow relationship in the picture concisely with the transition or the line between light and dark.


This kind of concise line trace form is more suitable for the level is complex, detail rich oil painting is concise open form in initial stage.
Ancient painters mostly made sketches with paper first, and then made charcoal or color powder on the back of the paper to copy the sketch onto the canvas on which the bottom was made.
This method is suitable for the very rigorous style of the painter, not only can obtain the accurate shape safely, but also does not have to hurt the canvas surface as in the direct sketch on the canvas.
There are also methods of drawing the relationship directly on canvas with Dan pera or turpentine and pigment, but the most common method is to use color powder or charcoal copy form and then use Dan pera or turpentine to adjust the pigment to create a monochrome thin oil effect.
Of course, the purpose of form creation is to lay the foundation of form for the work. In order to achieve the accurate and detailed final effect, form creation must give the basic content of the form in the sketch strictly and clearly.
However, in traditional oil paintings, some painters only draw big relations and big imposing manner when drawing, and use loose lines, and some are similar to scrawl, and leave the accurate and specific things in the later stage to gradually carry out, which often can obtain some unexpected vivid effects.
However, these two methods also have a lot to do with post-production. If the process is to be carried out locally, it is better to draw the shape with lines fully and accurately first, but if the process is to be carried out as a whole, it is better to use flexible and less prudent line to shape.

Painting restoration process (I)-black and white wall decor

Oil painting is the painting mixed with oil and the powder of pigment, which is painted on the basic surface of linen, board or board. Due to the oxidation of oil, the oil paint is completely dry. The paint after drying is bright, firm and has a quality and tangible.
Generally think oil painting is firm and solid not bad, actually otherwise, the passage of time,Great Big Canvas the change of temperature and humidity, the attachment of dust, the invasion
of insects, etc., in more than ten years of time enough to damage the oil painting.
Identification before repair
First, a detailed inspection is made before the restoration of the work. The inspection process can be divided into four aspects:


1. Textual research of works
Understand the author and the creation time, look for relevant information and painting characteristics about the painter, such as the commonly used material, color, brush stroke, creation style, creation idea and aesthetic point of
view, etc.
This kind of investigation can help the restorer establish a deeper understanding with the work,Big Canvas Art and master the original creation face of the work more accurately when
repairing.
Ii. State evaluation
Firstly, it is necessary to determine whether the painting technique is oil painting or glue painting, record the size of the work, the theme, the signature of the painter, the date of completion, the storage condition of the inner frame
and outer frame, etc., and then conduct in-depth analysis after recording these basic conditions.
A. Substrate: the materials used to distinguish the substrate are flax, jute, hemp, cotton cloth, mixed fiber, board or fiber board;
The method of fixation is to use a nail or a nail for a gun;
Whether there is damage, oxidation corrosion, dampness mildew, microorganism or insect damage;
If it has been repaired by predecessors, what is the way of repairing and the adhesive applied?
B. Substrate “coating” : understand the color of the substrate “coating”, and whether the substrate has the phenomena of separation, floating, cracking, flaking or microbial invasion.
C. painting layer: analysis of adhesive used in pigments;
The thickness and thickness of the painted layer;
Tonal it is to belong to bright color, gray or dark tonal;
The color technique used is transparent painting or opaque painting;
Fine or rough strokes;
Whether the painting layer is cracked, locally or comprehensively,Large Canvas Art how deep the crack is, and whether it begins to spalling;
Whether the surface of the color layer appears blisters and so on.
The degree of these factors is evaluated and analyzed.
D. Protective layer: whether there is a protective layer, which is comprehensive or partial, times of application and thickness.
Carefully distinguish between transparent color and the color of the vannis layer whether there are lesions or microbial infestation.
Iii. Laboratory diagnosis
A. Ultraviolet irradiation: ultraviolet irradiation can penetrate into the interior of the protective layer and painting layer. When this kind of ultraviolet light is irradiated on the surface layer of the work, it will show blue-violet
refraction light.
B. infrared ray: its radiation principle is like the radiation of X-ray, but its radiation function is not as strong as that of X-ray. However, its perspective range is far beyond the ultraviolet radiation, and it can reach the coating
base and sketch layer of substrate, so it can provide the restorer with quite correct information.
Take photos and file
Before and after the restoration of the art works, both of them have the feeling of being different from each other. Therefore, before the restoration, it is necessary to take photos for archiving, as a witness for later comparison.
In addition, in the process of restoration, the original picture of the work is often needed as a supplement to master the color and composition of the whole work.
The key points of photography include the complete front, back, inner and outer frames of the works, and then the macro lens is applied to take pictures of partial close-ups in a segmented way.

Modern decorative painting matching skills

Household style can be achieved through the landscape style, not just the right furthermore can be the icing on the cake decor decoration, such as black and white wall decor is decorated the household style of an excellent helper, but  different through the housing landscape style, adornment collocation have specific skills, modern decoration within the process of collocation must conform to the family unit design style, cannot too alternative but to break the bad design style from the whole household, tie-in process must give priority to with household entire style, modern decoration is usually complementary, only ornament decoration effect.


Color matching strategies in modern decorative works of art
One of the household environment of adornment because the ornament, in the option of modern decoration procedure, must consider colour collocation, learn to think home environment is not ideal for interior design color types an excessive
amount of, color too wealthy may cause visual fatigue, therefore regardless of how the patterns of the decoration, the mass-tone attune of the modern decoration as a whole to home owners and tonal plus consistent, or similar, like household environment with ivory give priority to, as far as possible when adornment collocation choose light or whitened fundamental key, such as ivory, part, etc.


Just about all in all, the colour associated with adornment picture cannot plus building advocate tonal distinction is too far, may destroy otherwise household entire design amorous feelings.Size matching technique of modern decorative painting
The color of adornment picture not only should coordinate along with building color photograph, the particular dimensional collocation of add on picture also has specific skill.
In the procedure of choosing modern decorative painting, according to the placement of decorative painting, its dimension has different attention.

If will adornment picture is put in the seated room, because the sitting area is the place that entertain close friend, also the sitting room is usually the room with bigger area at the exact same time,  therefore the dimension suitable of adornment picture will be big shoulds not become small, had better select large adornment picture design is decorated in the middle of sitting room wall, such show up atmosphere, full.

If contemporary adornment picture is put in the word associated with the bedroom, should match up small dimension, if sizing is bigger, can show up the bedroom is crowded be in disorder.

Modern decorative painting
The black and white wall decor of matching patterns in modern decorative paintings
Showed the decoration according in order to different content and various local conditions and customs, when want to match a contemporary decoration, so as the name suggests, the add on design needs to accord along with the modern aesthetic principles, modern decoration design need to be made of various components of modern artwork fusion, for example modern structures, modern characters, amorous feelings of fashion, and so on, as long since it is accord along with modern amorous feelings

This Compact Writer’s Cabin Foldable Whenever Not in Use

Black and white wall decor
Location: False Bay, San Juan Island, Wa
Size: 500 square foot (46 square meters)
Style team: Paul Schlachter associated with Apollo Design Studio (project management); Olson Kundig Designers (architectural design)

Originally through Atlanta, the couple frequented the San Juan Island destinations often times and envisioned someday creating a home there. Ultimately, they found a property on the shoreline associated with False Bay. While their main home overlooks the particular water, they had

the writing cabin built regarding 100 yards away through the house in thickets of evergreen salal, blade ferns and Pacific yew. The writing studio, developed collaboratively by Apollo Design Studio and Olson Kundig Architects, serves generally

as a workspace, but this may also accommodate guests within a pinch thanks in order to a Murphy-style bed.
“The system works through a collection of pulleys that are usually calibrated to lift both sides of each deck or shutter simultaneously, ” claims project manager John Schlachter of Apollo Style Studio. “Through a collection of electric winches located

under the cabin, the decks are controlled simply by standard wall switches inside. ”
Inside, the exact same ipe planking wraps the ceiling surface and pairs beautifully with engineered oak flooring.

A Danish wood-burning stove warms the key residing space on chilly days. It also rotates therefore it can be enjoyed indoors or on the deck. The blackened steel floor strip functions as the noncombustible material in the foundation of the stove to meet

code. But rather than limiting it to the range perimeter, the design extends in a continuous bow through the hallway where it wraps back upward the wall as the black-framed window.

The driftwood sculpture in the corner had been found on the house. “Winter storms routinely drive weathered and washed driftwood up onto the rocks below the house, ” Schlachter says.

A little kitchenette and bathroom tucked behind the wall casing the Murphy-style bed checked off all the boxes upon the homeowner’s wish listing — a toilet, sink and shower. The cooking isle includes a tiny refrigerator, sink and hot dish

regarding making coffee.

Black and white wall decor,While the shutter system looks in order to captivate everyone, Schlachter claims he’s most proud associated with the efficiency of the particular floor plan. Getting each little program detail packed into a tiny impact proved to be the particular most challenging facet of the particular